Tag Archives: Ajay Naylor’s rugs

I Dare – Chapter 36

Day 376
Standard Year 1392

Blair Road
Surebleak

In which Boss Conrad throws a party.

And that brings us up to the end of Pat Rin’s 1392. If you don’t keep track of these things, that means he’s just about caught up with the end of Carpe Diem.

Which is interesting, because it’s been nearly three months since Pat Rin got the Plan B scatter order that kicked all this off, an event which is shown occurring – anyone? – that’s right, very near the end of Carpe Diem.

Now, that’s not a problem in itself, because I’d already figured out that the not-on-Vandar scenes in Carpe Diem aren’t necessarily in sync with the Vandar scenes – witness the entire journey of the Dutiful Passage from Arsdred to Krisko, sandwiched between two Vandar scenes that occur on a single day – but I do tend to wonder about some of the corollaries. If it was really three whole months from the Plan B scatter to when Korval started coming together again, what were people doing for all that time? Where did Nova go for three months before showing up on Liz’s doorstep? What were the crew of the Passage up to? (Apart from refitting the Passage as a battleship, which, to be fair, I have no idea how long that would be likely to take.)

And, what really bothers me, what were Val Con and Miri up to for those three months? Everything after the scene where Priscilla gets the info from Miri that leads to Nova activating Plan B is set during the week of Winterfair, right at the end of the year, so if Plan B was activated three months before the end of the year, that means Miri and Val Con had a very active first month on Vandar and a very active last few days, and in between was two or three months of nothing much happening. Which doesn’t feel right, somehow – not that it’s necessarily unlikely for a group of people in a remote town on a remote planet to have a quiet couple of months, but when I read Carpe Diem the gap doesn’t seem that long, and the active period preceding it feels like more than one month.

I Dare – Chapter 35

Day 376
Standard Year 1392

Spaceport
Surebleak

In which the Surebleak Portmaster has unexpected visitors.

The portmaster double act is a favourite entry in the roster of memorable minor characters.

The fact that Pat Rin’s gift is one of Ajay’s rugs, which he’d spoken earlier of trying to get on sale at the Port, suggests the tenor of the rest of the gifts: they’re not just nice gestures, they’re product samples, examples of what the bosses’ territories have to offer.

I Dare – Chapter 22

Day 309
Standard Year 1392

Blair Road
Surebleak

In which the new boss gets to know the territory.

One of the many victims of the epidemic Pat Rin is told about in this chapter was Miri’s grandmother; she mentions it to Val Con back in Agent of Change.

Ms Audrey thinks she’s joking about Pat Rin deciding it’s too cold and installing central heating in the streets, but he’ll be making plans to very similar effect by the end of the book.

I Dare – Chapter 20

Day 308
Standard Year 1392

Blair Road
Surebleak

In which the people meet the new boss.

Following on from what I said last time, I note that when telling Ms Audrey about the Sinner’s Carpet Pat Rin is again selective with the details, and selects a different set than when talking to Jim Snyder.

On a subject I’ve been keeping track of: Ms Audrey’s guess is that Pat Rin’s preferred game is dice, rather than cards, but his reply is exquisitely uninformative.

I Dare – Chapter 18

Day 307
Standard Year 1392

Blair Road
Surebleak

In which the new boss is not the same as the old boss.

One hazard of reading a series like this in chronological order like this is that one occasionally encounters two stories that are set within a few days of each other but written years apart, and then it can be difficult to avoid noticing discrepancies.

The difference between the implication here about the carpet’s creator and the explicit description in “Persistence” is, I think, clearly a deliberate creative decision by the authors, and can be easily explained in-universe as a deliberate creative decision by Pat Rin, who would not misinform a potential buyer as to the value of a carpet but also knows the value of tuning the details to fit the audience. I can’t see any such clear-cut explanation for the fairly large difference between the price Pat Rin paid for the carpet in “Persistence” and the price he remembers paying here.

On the other hand, there are good juxtapositions, too. Snyder taking Cheever at face value is extra amusing coming so soon after Beba seeing right through him.