Tag Archives: Carpet Emporium

Dragon in Exile – Chapter 9

Blair Road
Surebleak

In which Val Con reflects on his dream.

Though I chose other things to talk about last chapter, I was a bit surprised that Miri’s experience of the dream was of being sliced up and reshaped, when the dream is of being an established agent of the Department and doesn’t include the training that shapes a person into a living weapon. I think I get it, now, though: the Department’s training isn’t just about forcing a person into a new shape, it’s also about instilling processes that keep them in that shape, against whatever tendencies and defences might try to return them to themselves after the training is concluded. The trimming and burning and twisting is going on under the surface of every agent of the Department all the time.

On this chapter’s other plot strand, the thought suddenly strikes me: what if Mr Kipler is smart enough to conceal how smart he is, and getting arrested and hauled in front of the Bosses is part of the plan?

Roving Gambler

In which Quin yos’Phelium finds occupation.

Oh, so that’s what a nerligig does.

It strikes me that “Roving Gambler” is very much about what the Code calls “proper conduct”. It’s full of people facing the question of what would be the correct thing to do in the circumstance, and as like as not finding that it’s not an easy question on a world like Surebleak, which is continually being challenged on what answers it did have. The kinds range from small domestic questions involving a father and his son to big policy issues involving the Boss of Bosses (and in classic melant’i fashion, the extreme ends of the spectrum involve the same people wearing different hats).

Korval has it particularly bad, as Pat Rin points out at the end, because they’re used to living on Liad and having the Code to consult on questions like this, but now they’re on Surebleak and the answers are different. (Something that’s foreshadowed all the way through the story, as Quin keeps finding moments where proper Liaden behaviour doesn’t quite fit the circumstance.) I’m not surprised that it was Kareen who’s been given the job of figuring out their situation; if anybody knows about proper conduct, it’s her. It’s interesting, though, that she’s specifically stated to have been ordered by the Delms to study the question: Is that just them putting an official stamp on the enterprise, or did they find that she was unwilling to get started?

I suppose if there’s any course of study that might help prepare one for running a planet, Generalist might be it. It’s been a while since we’ve encountered a professional Generalist; I’m pretty sure the last one was Quin’s many-times-grandfather Jela.

On the question of Surebleak’s seasons, I find this story inconclusive; all we hear about the weather is that it’s recently turned good after a long bad stretch, which doesn’t say much on a planet with weather like Surebleak’s, and anyway it’s not clear precisely how long after Ghost Ship it takes place, so there’d be no way of comparing.


Tomorrow: “The Rifle’s First Wife”

I Dare – Chapter 20

Day 308
Standard Year 1392

Blair Road
Surebleak

In which the people meet the new boss.

Following on from what I said last time, I note that when telling Ms Audrey about the Sinner’s Carpet Pat Rin is again selective with the details, and selects a different set than when talking to Jim Snyder.

On a subject I’ve been keeping track of: Ms Audrey’s guess is that Pat Rin’s preferred game is dice, rather than cards, but his reply is exquisitely uninformative.

I Dare – Chapter 18

Day 307
Standard Year 1392

Blair Road
Surebleak

In which the new boss is not the same as the old boss.

One hazard of reading a series like this in chronological order like this is that one occasionally encounters two stories that are set within a few days of each other but written years apart, and then it can be difficult to avoid noticing discrepancies.

The difference between the implication here about the carpet’s creator and the explicit description in “Persistence” is, I think, clearly a deliberate creative decision by the authors, and can be easily explained in-universe as a deliberate creative decision by Pat Rin, who would not misinform a potential buyer as to the value of a carpet but also knows the value of tuning the details to fit the audience. I can’t see any such clear-cut explanation for the fairly large difference between the price Pat Rin paid for the carpet in “Persistence” and the price he remembers paying here.

On the other hand, there are good juxtapositions, too. Snyder taking Cheever at face value is extra amusing coming so soon after Beba seeing right through him.