Tag Archives: green counter

The Wine of Memory

6 Replies

In which Master Lute gives a friend more help than he knew he was capable of.

It’s amazing, the details one notices when one starts paying attention. As for instance: this story is also in the wrong place; I had never realised before, but it goes between “Where the Goddess Sends” and “A Spell for the Lost”. (I’m beginning to think that when this big re-read is over, I’m going to have to do another smaller one, just the Moonhawk and Lute stories, to get them straight in my head.)

Moonhawk and Lute have been travelling together for just a few days, and Moonhawk has just mastered her first piece of Craft Magic. She’s already started snarking about how he’s a terrible teacher, and he about how she’s a disrespectful apprentice. And he’s already started offering her new perspectives on the relationship between the Temple and the towns.

The anecdote about Rowan learning to read also says something about the way society works on Sintia. (Incidentally, this is the first story, in the order we’ve been reading them, to explicitly name the setting as Sintia.)

More characters named after plants (though this time with some orthographic variations), including merlot (a grape varietal used in winemaking), vervain, rowan, and juniper. (This Rowan is the second we’ve encountered recently; the Witch of Dyan Circle who was hunting Lute down in “Moon’s Honor” also bore that name.)

Speaking of plants, the association of rosemary with memory is a piece of folklore of long standing. (“There’s rosemary, that’s for remembrance. Pray you, love, remember.”)

These stories do really well at the atmospheric spell-casting scenes.

I like the way Lute’s attempt to help Veverain turned out. It’s got some interesting implications (and I bet this is another story Priscilla’s teachers didn’t tell properly if they told it at all).

I like the story about how Tween the cat came to be named.

In fact, I like this story period. It’s my favourite of the Moonhawk and Lute set.

A Spell for the Lost

6 Replies

In which Moonhawk and Lute, pooling their varied resources, find that which is lost.

Moonhawk and Lute have been travelling together for a month now. Underneath all the teasing banter, Lute has come to regard Moonhawk highly, surprising Moonhawk when she gets an idea of how worried he is for her safety. What she thinks of him is not as clear, since he doesn’t do anything to frighten her the way she frightens him.

Speaking of frightening, the scene where Moonhawk is working her spell is very atmospheric.

We learn that Moonhawk is from Dyan City (like that other Moonhawk, and that settles the question I had about whether Dyan and Huntress are the same). One of the undercurrents of these stories makes another appearance with Lute’s comment about the differences between life in the cities and elsewhere.

The people in this story are named after plants: Cedar is a tree, and Laurel, Aster, Senna, and Tael are flowering plants. (Tael, being a plant that doesn’t exist on Earth, is carefully introduced in passing a few pages before the girl’s name is first mentioned.) The mention of Laurel, Moonhawk’s old teacher, is reassuring; it’s evidence that this kind of theme naming is widespread, and that Tael and Cedar had a better basis for their relationship than the coincidence of both having parents who named their children after vegetables. I also hope that Senna was named for one of her namesake’s more congenial properties than the one that first came to my mind; medicinally, senna is useful but unpleasant, which is not bad for a plant but would be an unhappy reputation for a person to bear.

You know who Lute reminds me of in this story? Shan yos’Galan. They have the theatrical mannerisms in common, of course, but the resemblance isn’t usually so strong. I think maybe it’s the lounging about with a glass of wine in his hand that does it.

Moon’s Honor

Leave a Reply

In which Moonhawk and Lute meet for the first time… again.

Well, I gave it my best shot and I blew it: Now I’ve read Moon’s Honor, I’m pretty sure it’s set after the existing trilogy of Tales of Moonhawk and Lute.

So, if you haven’t actually read it yet, you might consider leaving it for now and coming back to this post in three days. (Or not. Up to you.)

The other thing you might want to know if you haven’t read it yet is that Moon’s Honor was originally conceived as the beginning of a novel, so while the immediate situation is resolved at the end there are lots of loose threads left dangling.

(Apparently the authors couldn’t find a taker for the full novel; according to the foreword, Meisha Merlin and then Baen were more interested in more Korval novels, and everybody else they tried before Meisha Merlin just wasn’t interested. I can kind of see why, I think; I want to know what happens next, but my interest in the characters and situation got a head start from already knowing something about these people and places from other stories, and I can’t say for certain that I’d have been interested if I’d come to it cold.)

Here we have a Moonhawk and Lute recognisably similar to the pair from the Tales, but also different. They’re still on Sintia, which I had wondered whether would be the case. They’re brought together by the call of the Goddess, but this time it’s Lute who is called to where Moonhawk is. This Moonhawk is still a priestess, more advanced in some ways (and less so in others). This Lute is still a magician whose power lies more in the quickness of the hand than in supernatural gift, but instead of a lone wanderer he’s a member of a widespread guild. (One wonders whether, if it were possible to trace the chain of apprentices and masters back to its beginning, one would find the earlier Lute and the apprentice he took in “Where the Goddess Sends”.) He also seems to have more supernatural gift than that earlier Lute; it’s seductively easy to create a trend out of two data points, of course, but I do wonder if part of the planned arc of the Moonhawk and Lute stories is/was that each successive Lute had more of the supernatural at his beck than the one before. (And then again, Plan B suggests a third data point, and the trend still holds.)

Speaking of the overall arc, it’s also interesting that the embodied Moonhawk and Lute have a tendency to find a pattern with Lute as mentor and Moonhawk as student, considering that with the original Moonhawk and Lute it was Moonhawk who was usually in charge.

We see more of the Temple than in any other story than perhaps “Moonphase”, and there are signs already of what it will have become in that story, in the incidental stories about some of the priestesses’ attitudes, and in that very pointed exchange about where Lady Rowan’s loyalty lies.

I think Master Lute’s interplay with the Lady Rowan may be my favourite part of the story; for my favourite part of my favourite part, it’s a toss-up between the exchange about loyalty and the result of Lady Rowan commanding Lute to be silent.

An odd incidental detail that might or might not have been elaborated on had the novel been completed: in addition to the Moon, the night sky here contains two fast-moving objects referred to as the Hounds.