Tag Archives: Insurance Book

Dragon in Exile – Chapter 28

Surebleak Port

In which Tolly lifts out, and Rys has news.

I’d never really thought about the issues involved in fitting an Yxtrang into an autodoc designed for a smaller person. This is probably a worst case, being a shipboard autodoc, which means it would take up as little room as possible, and on a Liaden ship whose designer presumably envisaged it only being needed by Liadens.

Tolly’s apology to the pilot for getting Korval tangled in their business by bringing Hazenthull onto the ship suggests that he doesn’t know that pilot, ship, and business all belong to Korval already. And I don’t understand why not. I can see that Tolly comes from the kind of background where you don’t speculate about your employer’s identity if they choose not to tell you, but why not tell him?

I suspect, given the way Korval’s Luck tends to run, that Rys and Val Con’s visit to Yulie is going to intersect in some interesting way with the Syndicate’s plan to take over the farm.

The incident at Bob’s Grocery reinforces the point that Bosil was reflecting on during the first incident at Quill’s Bakery: if the new way of doing things survives on Surebleak, it’s not going to be just because the Bosses insist, it’s going to be because the ordinary people see the advantages and are willing to fight to keep them.

I Dare – Chapter 20

Day 308
Standard Year 1392

Blair Road
Surebleak

In which the people meet the new boss.

Following on from what I said last time, I note that when telling Ms Audrey about the Sinner’s Carpet Pat Rin is again selective with the details, and selects a different set than when talking to Jim Snyder.

On a subject I’ve been keeping track of: Ms Audrey’s guess is that Pat Rin’s preferred game is dice, rather than cards, but his reply is exquisitely uninformative.

I Dare – Chapter 18

Day 307
Standard Year 1392

Blair Road
Surebleak

In which the new boss is not the same as the old boss.

One hazard of reading a series like this in chronological order like this is that one occasionally encounters two stories that are set within a few days of each other but written years apart, and then it can be difficult to avoid noticing discrepancies.

The difference between the implication here about the carpet’s creator and the explicit description in “Persistence” is, I think, clearly a deliberate creative decision by the authors, and can be easily explained in-universe as a deliberate creative decision by Pat Rin, who would not misinform a potential buyer as to the value of a carpet but also knows the value of tuning the details to fit the audience. I can’t see any such clear-cut explanation for the fairly large difference between the price Pat Rin paid for the carpet in “Persistence” and the price he remembers paying here.

On the other hand, there are good juxtapositions, too. Snyder taking Cheever at face value is extra amusing coming so soon after Beba seeing right through him.