Tag Archives: Maidenstairs

Conflict of Honors – Chapter 1

Maidenstairs Plaza
Local Year 1002
Standard 1375

In which Moonhawk is dead, and has to find a new way to make a living.

Read immediately after “Moonphase”, this is pretty much just a coda, and there’s not a lot to add.

(Unless one starts in on the apparent inconsistencies between the timelines of the two accounts, which I’m trying not to.)

On reflection, I think it would probably work better, if one was prepared to bend one’s definition of chronological order a bit, to not read this immediately after “Moonphase”, and instead read it as a refresher of the lady’s situation immediately before embarking on the rest of Conflict of Honors.

…which of course means that I’ve worked myself around, by slow and careful stages, to the belief that the best way to read it is the way the authors presented it in the first place. How about that?

This chapter does add one important thing to the story: that, rather than hanging around in this city, or cloistering herself with the Silent Sisters (who reside at Caleitha, a town which was mentioned in passing in “Where the Goddess Sends”), the one who was called Moonhawk chooses to head off for the uncertain opportunities represented by a glow on the horizon. The cause of the glow is not named here, but subsequent chapters will show that her decision was to make for the spaceport and thence offworld.

(We still don’t know which city this is that the spaceport is attached to, by the way, unless this Maidenstairs is the same Maidenstairs as in “Moon’s Honor”, in which case this is Dyan City again. I’m not sure that’s a solid clue — for all we know, every Temple might have an area in front of it called Maidenstairs — but it seems plausible, since the two earlier Moonhawks were both from Dyan City as well.)


Tomorrow: “Fighting Chance”

Moon’s Honor

In which Moonhawk and Lute meet for the first time… again.

Well, I gave it my best shot and I blew it: Now I’ve read Moon’s Honor, I’m pretty sure it’s set after the existing trilogy of Tales of Moonhawk and Lute.

So, if you haven’t actually read it yet, you might consider leaving it for now and coming back to this post in three days. (Or not. Up to you.)

The other thing you might want to know if you haven’t read it yet is that Moon’s Honor was originally conceived as the beginning of a novel, so while the immediate situation is resolved at the end there are lots of loose threads left dangling.

(Apparently the authors couldn’t find a taker for the full novel; according to the foreword, Meisha Merlin and then Baen were more interested in more Korval novels, and everybody else they tried before Meisha Merlin just wasn’t interested. I can kind of see why, I think; I want to know what happens next, but my interest in the characters and situation got a head start from already knowing something about these people and places from other stories, and I can’t say for certain that I’d have been interested if I’d come to it cold.)

Here we have a Moonhawk and Lute recognisably similar to the pair from the Tales, but also different. They’re still on Sintia, which I had wondered whether would be the case. They’re brought together by the call of the Goddess, but this time it’s Lute who is called to where Moonhawk is. This Moonhawk is still a priestess, more advanced in some ways (and less so in others). This Lute is still a magician whose power lies more in the quickness of the hand than in supernatural gift, but instead of a lone wanderer he’s a member of a widespread guild. (One wonders whether, if it were possible to trace the chain of apprentices and masters back to its beginning, one would find the earlier Lute and the apprentice he took in “Where the Goddess Sends”.) He also seems to have more supernatural gift than that earlier Lute; it’s seductively easy to create a trend out of two data points, of course, but I do wonder if part of the planned arc of the Moonhawk and Lute stories is/was that each successive Lute had more of the supernatural at his beck than the one before. (And then again, Plan B suggests a third data point, and the trend still holds.)

Speaking of the overall arc, it’s also interesting that the embodied Moonhawk and Lute have a tendency to find a pattern with Lute as mentor and Moonhawk as student, considering that with the original Moonhawk and Lute it was Moonhawk who was usually in charge.

We see more of the Temple than in any other story than perhaps “Moonphase”, and there are signs already of what it will have become in that story, in the incidental stories about some of the priestesses’ attitudes, and in that very pointed exchange about where Lady Rowan’s loyalty lies.

I think Master Lute’s interplay with the Lady Rowan may be my favourite part of the story; for my favourite part of my favourite part, it’s a toss-up between the exchange about loyalty and the result of Lady Rowan commanding Lute to be silent.

An odd incidental detail that might or might not have been elaborated on had the novel been completed: in addition to the Moon, the night sky here contains two fast-moving objects referred to as the Hounds.