Tag Archives: Russ

Agent of Change – Chapter 11

3 Replies

In which Miri and Val Con come to the attention of the authorities.

Bringing Miri breakfast through a locked door, disconcerting as it understandably is for her, is I think basically a friendly gesture on Val Con’s part, and not just for the breakfast itself. The implicit message, that a locked door isn’t enough to keep him out, might be read as threatening, but he doesn’t need or want to threaten her at this point; if he meant her harm, he’d have done better to let her going on thinking that a locked door would keep her safe right up until it was time to prove her definitively wrong. As it is, it’s less a threat than a warning: he’s showing her what he can do, even though it means giving up a tactical advantage, because it’s something she needs to understand if they’re going to work together.

The mention of the Belansiums on Justin Hostro’s walls clears up a small mystery. The painter Belansium is featured in the short story “Phoenix”, set about a century before this; by the time I first read that story, I’d forgotten about the paintings in this chapter, so I’ve been wondering on and off since then how Bel first came to the attention of the authors. Now I know.

(Incidentally, it’s a nice bit of foreshadowing that Miri compares Justin Hostro’s interior decoration to Sire Baldwin’s.)

Agent of Change – Chapter 1

9 Replies

Standard Year 1392

In which the man who is not Terrence O’Grady shows what he can do.

It’s a sign of how the Liaden Universe has grown over the decades that it’s taken the re-read a year and change to reach this, the sentence where it all started: The man who was not Terrence O’Grady had come quietly.

One thing that strikes me about this chapter, after all those prequels full of Terrans with almost-familiar names like Ristof and Jethri, is how normal the names seem here: Terry, Sam, Pete, Russ. The Terran homeworld is even called “Earth” instead of “Terra”. On reflection, though, I don’t think it’s just a case of the authors not yet having their name generators warmed up, because it serves an artistic purpose. These are people who are proudly, even aggressively, Terran, who keep close ties with Earth and don’t mix with the other cultures of the galaxy; their names, which seem normal to a reader of the 20th or 21st century, perhaps mark them in the novel’s future setting as old-fashioned, resistant to the changes that subsequent centuries have brought.