Tag Archives: onagrata

Fledgling – Chapter 16

Retrospection on an Introduction
Number Twelve Leafydale Place
Greensward-by-Efraim
Delgado

In which Kamele and Jen Sar took a step forward in their relationship.

The second of the full-chapter flashbacks, and it perhaps says something that I let the first one go by without remarking on how it fits into the idea of re-reading the series in chronological order. Which is, clearly, that a flashback chapter belongs where it’s been put by the author, because even if it’s describing chronologically-distant events, the remembering of those events is happening at this point in the story, and it matters to this story that it’s happening here. To have moved these chapters to before the beginning of the novel because that’s when the events-being-remembered happened would have been to do an injury to the story.

(If you were around for the planning stages of this re-read, you may recall that I lost sight of that at one point, when I was deep in the analytical “timeline-all-the-things” headspace that made a full-series chronological re-read possible. I want to take this opportunity to apologise for the mess that conversation was, and to express my gratitude for being talked down from doing anything then that I would have regretted when I found my way back to that other, wiser headspace which knows why a full-series re-read is worth doing.)

About Tra’sia, cha’leken!, the “expression of joy” that Jen Sar declined to translate: We have seen “tra’sia” before only as part of the phrase “tra’sia volecta”, a Liaden greeting for which we have not, to my recollection, ever been given a word-for-word translation. What we do know is that it’s Low Liaden, used for family and close friends; in High Liaden, one might instead say “Entranzia volecta”. We have not seen “cha’leken” before at all, though we have seen “cha’leket”, which is used to refer to a person for whom one feels a sibling’s affection; it might mean a person for whom one feels affection equally strong but of a different nature.

So, the full phrase might perhaps mean something approximately like, “Greetings, beloved!”, or perhaps, “This is a good thing, beloved” (if “tra’sia volecta” is something like “good morning” and “tra’sia” is more like “good” than “morning”). Another possibility is that it’s the Liaden equivalent of the “I see you, sister” that Priscilla gives Lina in Conflict of Honors.

And whatever it means, I have a strong suspicion that the reason Jen Sar was chagrined about it is that it was Aelliana who said it and not him.

Fledgling – Chapter 15

University of Delgado
Faculty Residence Wall
Quadrant Eight, Building Two

In which Kamele and Jen Sar make plans for the future.

If Theo was unhappy about moving from the suburb to the Wall, how much less is she going to like leaving the planet entirely? Even if it does solve a lot of problems.

I don’t think Jen Sar is unhappy with the idea of looking after Theo, as far as his own preferences go. But there is also to be considered how it would look to outsiders, if Kamele left her daughter in the care of a man — and not only a man she doesn’t have an ongoing relationship with, as far as the world knows, but a man with whom she recently broke off a relationship — rather than, say, her close friend Ella. And particularly at this point in time, when she’s moving in deep political waters and any deviation from customary behaviour may become a weapon against her. And Kamele knows all this as well as he does, which is why, I think, he’s surprised at her even making the suggestion.

Fledgling – Chapter 11

University of Delgado
Faculty Residence Wall
Quadrant Eight, Building Two

In which Theo gains a rug and a respite.

I like this patch of peace and domestic harmony. It probably just means things are about to get even worse, though.

It’s only just occurred to me to wonder how it’s possible for Quadrant Eight to exist, since any given area consists of no more nor less than four quadrants, by definition. Maybe the university is divided into two (or more) areas, and rather than add another layer to the addresses they just continued on the numbering of the quadrants from where the first set ended. This would especially make sense if the second area is a later addition to the original layout of the university, which would explain why the address space didn’t account for the possibility. (It would also make a nice echo of Theo learning this chapter that the founders of the university didn’t think of everything.)

I was going to say something last chapter about the Safety’s apparent determination to assume that the incident on the scavage court was Theo’s fault, but I decided not to when I started considering the limitations of seeing things from Theo’s point of view. In the light of the Safety’s official report, though, there does seem to be something there — but rather than the “predisposed to expect Theo at the centre of the trouble” kind of something I was thinking of before, it seems to be more of a “determined not to let any responsibility settle on Roni” kind of something. (And that reminds me of the thing I did say about what kind of fall-out there might or might not be for Roni.)

Fledgling – Chapter 6

History of Education Department
Oriel College of Humanities
University of Delgado

In which the EdHist Department comes to a decision.

In this chapter we start to get a clear picture of what Kamele’s motives are: she suspects that the scholar recently disbarred for falsifying sources is only part of a larger, yet-undiscovered problem, and has moved back into the mainstream of University life so that she can tackle it in a direct and timely fashion. (With, humming along underneath, the thought that maybe, if she hadn’t chosen to live outside the Wall, she might have noticed something before the problem got so bad.) Career advancement for its own sake, the part of her explanation to Theo where she resorted to general statements, isn’t a particular concern for her, but makes a plausible explanation for general inquiry, since it would be unwise to talk widely about her suspicions until she knows how bad the problem really is, and preferably has a solution in hand.

We also get, in passing, an explanation for Professor Appletorn’s mood in Theo’s class, which I appreciate. It would have been easy to write a bad-tempered teacher making Theo’s life difficult for no particular reason just because that’s what teachers in books do; having something behind it doesn’t, given the nature of the something, make him a better person but it does make him a more rounded character. And being another consequence of Kamele’s move helps build up Theo’s difficulties from the move and the feeling that the characters’ actions have consequences beyond the obvious.

The mention of the Antonio Smith Method of forensic literature analysis jumped out at me rather, the first time I read this chapter. It’s not that there haven’t been references to other SF works in the Liaden series before (there’s a Christopher Stasheff shout-out later in this same chapter), but most of those are older works; this one is striking because it’s a reference to a character, in a work, in a medium that are all younger than the Liaden series itself. ANTONIO SMITH, FORENSIC LINGUIST (the block capitals are mandatory; Smith is the kind of hero who doesn’t so much introduce himself as announce his presence) made his debut in the webcomic Narbonic in August 2000, when the Liaden universe was already a decade old.

Most of Kamele’s colleagues are new, but her friend Ella has already appeared once in this re-read, at the reception where we first met Kamele, and Kamele first met Jen Sar. Which leads us nicely into Kamele’s moment of retrospection…

Fledgling – Chapter 3

Fourth Form Ready Room
Professor Stephen M. Richardson Secondary School
University of Delgado

In which Theo goes to school and learns something helpful.

It’s the return of our old friend, The Scene Where The Heroine Looks In A Mirror. At least this one does a reasonable job of staying inside the viewpoint character’s head. (And now I’m trying to remember whether we’ve ever had a scene where any of the male characters looks in a mirror for the benefit of the readers. I don’t recall any, but I’m willing to believe that that’s a fault in my memory rather than in the story-telling.)

I’m not sure I approve of that clock. It would depend to some extent on whether everybody is given the same amount of time between the first announcement and the note being made in their file, and what happens to people who are genuinely incapable of getting out of bed quickly. Either way, it’s the first of several details in this chapter that are starting to build up a picture of Delgado as a society that pays really close attention to whether its citizens are doing What’s Good For Them.

Fledgling – Chapter 1

Number Twelve Leafydale Place
Greensward-by-Efraim
Delgado

In which Theo Waitley has to leave home.

A new novel, and a new character — and also some old ones, as Theo’s parents are Kamele Waitley and Jen Sar Kiladi, who we last saw newly-acquainted at the end of Mouse and Dragon.

Part of the interest of reading Fledgling the first time, for me, was seeing the way the authors expanded on hints about Kiladi’s life on Delgado that had been given in other stories written earlier but set later: Kiladi’s office; Theo; the family tradition about Delm Korval, which is rather different and somewhat more complicated than the first-published mention of it suggested… and Kamele Waitley, who was honestly a complete surprise to me (for reasons I think I’ll save for when she actually appears).

This chapter also contains the first mentions of several new details about Delgado that will continue to unfold over the course of the novel, including the Office of Safety, the Chapelia, and the matriarchal system in which Theo is her mother’s daughter and Jen Sar’s relationship with them both continues only so long as Kamele chooses to continue it.

With the benefit of knowing what’s coming, I can see and appreciate the clever dance the authors have done to distract the reader from the fact that we’re not shown where Coyster went at the end of the chapter.

Am I alone in really wanting to read those books on Theo’s shelf?