In which Daav and Aelliana go to the theatre, and Aelliana chooses to be late.

We’ve reached the moment which, this being a prequel, most of the readers knew was lurking in Aelliana and Daav’s future.

The authors might have avoided it by ending the book a couple of chapters ago, but I think they knew that if they were ever going to tell the story of this day there would never be a better place to tell it than here. It might have been told as a short story, an isolated event between novels like the one we had yesterday and the others we’ll have next week, but I don’t think that would have served it well: this is not an isolated event, and telling it here, at the end of the novel, allows one to look back and see all the things that have been leading up to it.

It’s also, in a sense, the capstone of this duology. I said a few chapters ago that we’d reached the destination of the duology when Daav stood beside his lifemate holding his son – but that was Daav’s destination, not Aelliana’s. For Aelliana, the journey is about taking control of her life, and I’ve pointed out several times that each of the major turns in Aelliana’s life during the duology came of Aelliana’s choice. Here again is a major turn in Aelliana’s life, and shape it takes is determined by the choice Aelliana makes to protect Daav.