In which Miri and Val Con come to the attention of the authorities.

Bringing Miri breakfast through a locked door, disconcerting as it understandably is for her, is I think basically a friendly gesture on Val Con’s part, and not just for the breakfast itself. The implicit message, that a locked door isn’t enough to keep him out, might be read as threatening, but he doesn’t need or want to threaten her at this point; if he meant her harm, he’d have done better to let her going on thinking that a locked door would keep her safe right up until it was time to prove her definitively wrong. As it is, it’s less a threat than a warning: he’s showing her what he can do, even though it means giving up a tactical advantage, because it’s something she needs to understand if they’re going to work together.

The mention of the Belansiums on Justin Hostro’s walls clears up a small mystery. The painter Belansium is featured in the short story “Phoenix”, set about a century before this; by the time I first read that story, I’d forgotten about the paintings in this chapter, so I’ve been wondering on and off since then how Bel first came to the attention of the authors. Now I know.

(Incidentally, it’s a nice bit of foreshadowing that Miri compares Justin Hostro’s interior decoration to Sire Baldwin’s.)