Tag Archives: Mixla Chief of Police

Agent of Change – Chapter 14

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In which Senior Commander Higdon does not approve of papers.

The intensity of Val Con’s negative reaction to Polesta’s effrontery gains an extra level in the light of Liad’s traditions and taboos, which have not been mentioned yet this novel but have been covered in some depth in the prequels we’ve already been through in this re-read. By Liaden standards, what Polesta does would have been an astonishing liberty even in private and with a receptive partner; to do it in public, and after Val Con has made it clear he’s not at all interested, qualifies as a major assault.

I have a feeling the authors might have known that already, even if they hadn’t seen fit to mention it yet; on the other hand, I’m not so sure about another thing we know from the prequels that hasn’t been mentioned yet this novel. Lytaxin, the world to which the Gyrfalks are headed, is the homeworld of Clan Erob, Miri’s grandmother’s family. Miri doesn’t know that yet, of course, but Val Con must, and yet he doesn’t show any sign of thinking it might be a good idea to head in that direction. Come to think of it, though, if one learns that a friend’s home is the destination of a troop of mercenaries anticipating “a job of work”, one wouldn’t want to head that direction, at least without an opportunity to approach slowly and sidelong and find out just what’s afoot…

Agent of Change – Chapter 11

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In which Miri and Val Con come to the attention of the authorities.

Bringing Miri breakfast through a locked door, disconcerting as it understandably is for her, is I think basically a friendly gesture on Val Con’s part, and not just for the breakfast itself. The implicit message, that a locked door isn’t enough to keep him out, might be read as threatening, but he doesn’t need or want to threaten her at this point; if he meant her harm, he’d have done better to let her going on thinking that a locked door would keep her safe right up until it was time to prove her definitively wrong. As it is, it’s less a threat than a warning: he’s showing her what he can do, even though it means giving up a tactical advantage, because it’s something she needs to understand if they’re going to work together.

The mention of the Belansiums on Justin Hostro’s walls clears up a small mystery. The painter Belansium is featured in the short story “Phoenix”, set about a century before this; by the time I first read that story, I’d forgotten about the paintings in this chapter, so I’ve been wondering on and off since then how Bel first came to the attention of the authors. Now I know.

(Incidentally, it’s a nice bit of foreshadowing that Miri compares Justin Hostro’s interior decoration to Sire Baldwin’s.)

Agent of Change – Chapter 7

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In which preparations are made for dinner.

I went back and checked “To Cut an Edge” again, and it says that the stick-knife is a standard part of a Scout’s kit. That surprised me a bit; I’d have said it seemed more like a spy’s weapon than a Scout’s. On reflection, though, Scouts by the nature of their profession spend a lot of time in uncertain situations, and this can’t be the first time in Val Con’s career where it was wise to be armed without seeming to be.

I’m not sure why Selector’s response to Edger about the deal with Justin Hostro is so grumpy. Annoyed at how much Edger is talking up the deal, maybe. Or just generally ill-disposed to anything involving the Cavern of Flawed Knives. Any thoughts?