Tag Archives: Miri Robertson

Trader’s Leap – Chapter 31

Dutiful Passage
Colemeno Orbit

In which the visitors prepare to be received.

I wonder if the cats had anything interesting to say in their nameday greetings, or if Jeeves just translated their message into human-polite.
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Trader’s Leap – Chapter 27

Dutiful Passage
Rostermin Breakout

In which Shan yos’Galan reads his mail.

Shan’s statement about “our time in this space” implies that he thinks Lute can’t manifest on the ship while it’s in Jump. I can’t think of anything specific to give him that idea, and he may just be fishing, but on the other hand I don’t at the moment recall any specific event that contradicts it.
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Trader’s Leap – Chapter 11

Dutiful Passage

In which Padi makes connections and Shan receives news from home.

The looper families Shan mentions are among those who have appeared or been mentioned in the Jethri-era stories: the Smiths were the first family to have norbears travelling with them, the Tragers were friendly with Jethri’s family, and the Wildes did that ill-fated bit of experimenting with Old Tech.
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Trader’s Leap – Chapter 9 (V-IX)

Dutiful Passage
Millsap Orbit

In which Padi has a long day.

Shan has a plan: to visit the Redlands, which it turns out is not one country, or even one planet, but a system with three inhabited planets.
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The Gate That Locks the Tree – Act 9, Scene 1

In the Hall of the Mountain King

In which Vertu Dysan greets the new day.

With Toragin’s solution, the authors are doing a thing they’ve done a few times before: establishing the outline of the solution, but leaving the details to be filled in later in case a later story should suggest a particular detail.
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The Gate That Locks the Tree – Act 8, Scene 2

In the Hall of the Mountain King
Enter Joey

In which the guests are settled for the night.

Joey, despite being in the stage directions, is not listed in the dramatis personae. But then again, neither are any of the other cats, except Chelada.

Vertu started out the story thinking of the unregulated cab drivers as something that might need to be addressed at some point. Now, having seen how much trouble an untrained driver can get himself and his passengers into, it’s become pressing business for Boss Gotta. Or, no, not quite for Boss Gotta, if we take Boss Gotta as being the person who’s gotta do it because they happen to be present when there’s nobody around whose job it is; as Vertu says to Jemie, in this situation they are the people whose job it is.

The Gate That Locks the Tree – Act 8, Scene 1

The Gate
Enter Nelirikk and Jarome

In which Vertu and her passengers make it within the gate.

Jarome, it turns out, is another character who is in the cast list twice, once for his first appearance in person and once for when he becomes someone known by name to the viewpoint characters.

I don’t know if it’s because she’s in the middle of a conversation between Liadens when it happens, or if she’s still Liaden enough in her head that it would have happened anyway, but I note that when Vertu’s viewpoint refers to Miri it names her as “Miri Tiazan” and not “Miri Robertson”.

The Gate That Locks the Tree – Act 7, Scene 1

In the Hall of the Mountain King
Enter Dragons

In which there is a dance of dragons.

There have been several occasions in recent stories where Val Con, or someone else, has raised the question of how the Tree actually regards the creatures that live under its branches. Part of what this story is about, and particularly this chapter, is giving an answer to that question.
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The Gate That Locks the Tree – Act 5, Scene 1

In the Hall of the Mountain King

In which Korval prepares to receive guests.

We have not previously encountered Finifter’s Shave, the ship that brought Toragin and Chelada to Surebleak, but the planet Finifter has been mentioned a couple of times. It’s one of the stops on Tan Sim’s trade route in Trade Secret, and one of the planets discussed in Culture Club in Saltation.
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The Gate That Locks the Tree – Act 3, Scene 1

In the Hall of the Mountain King
Enter Talizea, Miri, Jeeves, Val Con, the Tree, clowders of cats and kindles of kittens

In which the house is unsettled.

“In the Hall of the Mountain King” is the title of a famous piece of music by Edvard Grieg, originally written as incidental music for Henrik Ibsen’s play Peer Gynt. The relevant bit of the play tells how Peer Gynt visited the court of the Mountain King and formed a connection with one of the King’s daughters, not entirely to the satisfaction of anybody involved. The supernatural and inhuman Mountain King’s most famous moment has him proclaiming a philosophy of supreme selfishness that regards everyone and everything else as inconsequential.

…and I’ve said all this before on the blog, because Crystal Dragon used “In the Hall of the Mountain Kings” as a chapter title when it had a sequence set in the domain of the Great Enemy. To have the same metaphor now applied to Jelaza Kazone is, to say the least, disconcerting.
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