In the Hall of the Mountain King
In which Korval prepares to receive guests.
We have not previously encountered Finifter’s Shave, the ship that brought Toragin and Chelada to Surebleak, but the planet Finifter has been mentioned a couple of times. It’s one of the stops on Tan Sim’s trade route in Trade Secret, and one of the planets discussed in Culture Club in Saltation.
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A Rescue
In which the number of Vertu’s passengers increases.
Toragin’s remonstration at, presumably, the Tree gives us the outline of her cause: Chelada was promised that she could have her kittens under the Tree, which must have seemed an easy thing to promise when Jelaza Kazone was just down the road from Lazmeln’s clanhouse, and then when the distance suddenly became much greater, the promise still existed but was much harder to claim, and the Tree apparently didn’t find it necessary to ease the way at all.
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On a snow-filled road, under a snowy sky
In which Boss Gotta takes stock of the situation.
From the fact that he (or she) got a mention in the dramatis personae, I was expecting Boss Gotta to have a more prominent appearance than just a single name-drop and then never mentioned again. Although I suppose metaphorically Boss Gotta continues to be present and active.
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Comes a stranger from the storm
Enter Boss Gotta
In which Vertu’s cab reaches the scene of the accident.
From context, Boss Gotta (“Boss Gotta, a metaphor”, according to the dramatis personae) is a Surebleak version of the philosophy Vertu embraced in “Skyblaze”: if you find yourself saying “somebody’s gotta do something about this”, and there’s nobody around with a clear claim to the problem, that means you’re somebody.
This time, when Anna speaks soothingly to her dog in the language that slips by Vertu’s ears, the narration does report one of the words she uses, which we know the meaning of though Vertu doesn’t.
In the Hall of the Mountain King
Enter Talizea, Miri, Jeeves, Val Con, the Tree, clowders of cats and kindles of kittens
In which the house is unsettled.
“In the Hall of the Mountain King” is the title of a famous piece of music by Edvard Grieg, originally written as incidental music for Henrik Ibsen’s play Peer Gynt. The relevant bit of the play tells how Peer Gynt visited the court of the Mountain King and formed a connection with one of the King’s daughters, not entirely to the satisfaction of anybody involved. The supernatural and inhuman Mountain King’s most famous moment has him proclaiming a philosophy of supreme selfishness that regards everyone and everything else as inconsequential.
…and I’ve said all this before on the blog, because Crystal Dragon used “In the Hall of the Mountain Kings” as a chapter title when it had a sequence set in the domain of the Great Enemy. To have the same metaphor now applied to Jelaza Kazone is, to say the least, disconcerting.
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Beset in the belly of the storm
Enter Toragin, the blue-and-red driver, Chelada
In which Toragin del’Pemridj’s quest hits a detour.
A new act brings a new viewpoint character: Toragin del’Pemridj, Clan Lazmeln.
We’ve heard of Line del’Pemridj before: a Lady del’Pemridj was one of the guests at the garden party in “A Choice of Weapons”. And Clan Lazmeln: in Carpe Diem, when Shan was refusing absolutely to let Nova strong-arm him into a contract marriage, he mentioned that he’d been married twice already, once to Padi’s mother and the other time for clan-political reasons to someone from Clan Lazmeln.
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In Vertu’s taxicab, on the Port Road. Outside, a blizzard.
In which Vertu’s passengers see signs of other travellers.
Speaking of things I’ve never heard of because I live somewhere that it never snows: graupel. I thought from the context of it being something on the road surface that perhaps it was “gravel” being mangled (like the “Salmo’s Fire” later in the story) by Surebleak dialect, but it turns out it’s a particular type of thing that falls from the sky, something like a cross between a snowflake and a hailstone.
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In Vertu’s taxicab
Enter Yulie, Mary, Anna, Rascal
In which everyone is going to the same place.
Apparently the hill at the end of the Port Road is now named Undertree Hill — or perhaps that’s just what the Bedel call it and Yulie has picked it up from them.
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In the house of the taxi driver
Enter Vertu and Cheever
In which Vertu Dysan greets the new day.
The story is subtitled “A Minor Melant’i Play for Snow Season”, which offers a hint at what it’s likely to be about. Melant’i plays involve dramatic consquences revolving around points of correct behaviour; the examples we’ve had described seem to generally end with dead bodies, and sometimes with buildings burning to the ground.
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In which Lina yo’Bingim does not wish to be part of the problem.
I’m fairly sure the merc who says “Efning” to Lina is attempting to wish her a good evening, but in the first moment I always think he’s offering his name.
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