Tag Archives: Jerrel Trelu’s piano

Prodigal Son

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In which Scout Commander yos’Phelium returns to the scene of the crime.

I haven’t read this story since a while before the first time I read Ghost Ship, and there’s quite a bit more to it than I remembered. I remembered the mirrored scenes with Miri at the beginning and end, and I remembered everything that happened at the Explorers Club, but the entire middle section I’d completely forgotten about. It’s a much better story with the middle in.

(I recognised the bits with Nelirikk that were included in Ghost Ship, of course, because I’ve just finished reading that, but I remember thinking both times I read Ghost Ship that those must have been new additions to the course of events.)

Speaking of the mirrored sections at the beginning and end, I noticed on this re-read that the opening scene is also reflected in the middle, with Hakan and Kem taking the places of Val Con and Miri, and the place of the rocking chair being taken by a different rocking chair.

Carpe Diem – Chapter 29

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Springbreeze Farm

In which Priscilla’s message is received.

Val Con mentions that Korval has been led by “thirty-one generations of yos’Pheliums”. If we assume a round figure of a thousand years since the founding of the Clan, that gives an average spacing of 30-35 years between generations, which is not unreasonable and accords with the information we have about the ages at which various yos’Pheliums have become parents.

It does, however, contrast interestingly with the information established elsewhere that the number of actual Delms to date has been 85. That works out to an average of 2-3 Delms per generation, and each Delm holding the post for an average of slightly over a decade. And we know that there have been stretches where there was only one Delm in each generation, and Delms who have borne the ring for as much as fifty years, so there must also have been periods when the turnover was even more rapid than the average suggests.

The message from Priscilla, with its implication that Korval is enquiring into matters relating to the doings of the Department, leaves Val Con determined that they must do something, and soon. It remains to be seen, however, what can be done.

Carpe Diem – Chapter 27

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Springbreeze Farm

In which Val Con paints portraits in piano music.

Miri is right: Val Con is trying to hide parts of himself from her. We have that not only in this chapter, when he declines to attempt more than the most cursory musical sketch of himself, but in the previous chapter, when his joy at being able to hear her life-song was mixed with hope that she would not be able to hear his. Given the life he was leading before he met Miri, it’s understandable that he might be reluctant to expose her to the details, but it strikes me that lack of communication is not wise in a long-term committed relationship. Even if he doesn’t want to reveal details, it might help to be honest about the fact that he is keeping something hidden, and about why. It may even be that, having been acquainted with the problem, Miri may be able to help him with it, the way he helped her when she was afraid of how he might react to knowing the real her. It’s a thing partners and lifemates do.

When I first read the Liaden novels, I had to stop in the middle of this chapter for several weeks, because my copy of Partners in Necessity had a binding error and contained a repeat of pages 609-656 where pages 657-704 should have been. (When I reported the error to Meisha Merlin, they very kindly sent me a new copy without charge, for which I’m still grateful.) If you happen to know of anyone who owns the copy with the inverse problem, get in touch — maybe we’ll be able to find an eccentric collector who’ll buy the pair of them as a matched set…

Carpe Diem – Chapter 26

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Springbreeze Farm

In which Jerry’s piano returns to life.

Time’s moving strangely again. There’s mention of a tune Hakan was playing on his guitar “three days ago”, which might be on the day Val Con and Miri met him and he persuaded Zhena Trelu to let Val Con use the piano; three days seems a reasonable period for them to find time to line their schedules up so he can come and tune the piano. But Zhena Trelu says it’s been “three weeks” since Miri and Val Con showed up, and the day before they met Hakan Miri said it was “barely a week”. That would suggest that it’s been over a week since they met Hakan, and while that’s possible and it’s also possible that the occasion three days ago was not the first time they heard Hakan playing his guitar, it seems less likely that Hakan would let a whole week go by before seeing to the piano.

In other, less ambiguous, time-related news, it’s three years since Zhena Trelu’s zamir died, which makes this local year 1478. Whatever that might mean in comparison to the Standard Calendar.

The conversation between Miri and Zhena Trelu outside the locked door is another of my favourite moments in this novel.

Carpe Diem – Chapter 22

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Gylles

In which Val Con and Miri make some new friends.

Hakan may be physically short-sighted, but he sees better than some: he’s one of very few people in this novel or the last not to mistake Miri’s lack of stature for a lack of years. (He also gets her name right, even though he’s presumably grown up with the same phonemes as Zhena Trelu, which may be a testament to a musician’s ear and understanding of the importance that can be attached to almost-inaudible differences.)

This chapter includes some descriptions of what Terran sounds like to speakers of Benish, “a weird, chopping language” that “jarred on the ears”. Which implies something about what Benish itself sounds like. (I wonder what Hakan and Kem would make of Liaden, which is generally described as being smoother and more flowing.)