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Trader’s Leap – Chapter 19

Dutiful Passage

In which Priscilla receives a history lesson.

Shan’s coaster that was a gift from Ambassador Valeking was introduced in Alliance of Equals and has appeared a couple of times, in that book and then in this one, during scenes where Padi has been meeting her father in his office.
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Alliance of Equals – Chapter 5

Dutiful Passage

In which there are uncomfortable awakenings.

So now we know what Padi’s secret is. Poor kid. Of course it didn’t occur to her, while she was taking great care not to let the others see how much afraid she was, that the others might be doing likewise.

Given the bit about how Padi’s found herself thinking of the milaster scheme as if it might somehow make or break her trading career, I see two ways that might go, depending on how far into the book they get to Chessel’s World. It might be a disaster, and that be a launching point for more plot. Or it might be that they get to Chessel’s World only at the end of the novel, after many adventures, and it’s a success but by then Padi has other bigger things to think about.

Another change in Dutiful Passage‘s roster becomes apparent: It appears that, after so many years, Ken Rik yo’Lanna is no longer the cargo master.

I said, back when it was first made clear, that I didn’t understand why Tolly hasn’t been told it’s Korval he’s working for; I think I’m getting the idea now. One thing I hadn’t borne in mind was just how much trouble Tocohl’s mere existence could cause her creators, given the Complex Logic Laws, if the identity of her creators became known. And I think what Shan said about it being bad-mannered to burden Lina with Korval’s secrets unnecessarily also applies to Tolly.

I’m beginning to really wonder who it was who served as the connection between Tolly and Korval for employment purposes. It seems to me like Tolly started to say a name or designation beginning with “The” before he thought better of saying it out loud. I don’t think it’s the Uncle, given the way Tolly thinks about him later in the conversation. It’s definitely not Theo, both because she doesn’t know people like Tolly and because if Korval had contact with her they’d doubtless be requiring her to aid the situation in a more direct manner.

Carpe Diem – Chapter 4

Liad
Solcintra

In which Shan discusses the situation with Priscilla.

Priscilla, of course, is the other reason Shan was so definite about rejecting the prospect of a contract marriage. It is of course beyond question that Nova must be aware of Shan’s relationship with Priscilla, but it’s open to question how well she understands what it means to them. (The fact that they’re still together coming up on seven years after they met must count for something, even if they haven’t taken the step to officially seal it; but perhaps Nova has concluded that the important detail is that they haven’t taken the step to officially seal their relationship even after being together coming up on seven years.)

Can I count Priscilla’s house as another for the list of characters who appear only briefly but in memorable detail? The descriptions of her situation add richness to the chapter, and the value of Dablin’s commentary on events is immeasurable.

Conflict of Honors – Chapter 1

Maidenstairs Plaza
Local Year 1002
Standard 1375

In which Moonhawk is dead, and has to find a new way to make a living.

Read immediately after “Moonphase”, this is pretty much just a coda, and there’s not a lot to add.

(Unless one starts in on the apparent inconsistencies between the timelines of the two accounts, which I’m trying not to.)

On reflection, I think it would probably work better, if one was prepared to bend one’s definition of chronological order a bit, to not read this immediately after “Moonphase”, and instead read it as a refresher of the lady’s situation immediately before embarking on the rest of Conflict of Honors.

…which of course means that I’ve worked myself around, by slow and careful stages, to the belief that the best way to read it is the way the authors presented it in the first place. How about that?

This chapter does add one important thing to the story: that, rather than hanging around in this city, or cloistering herself with the Silent Sisters (who reside at Caleitha, a town which was mentioned in passing in “Where the Goddess Sends”), the one who was called Moonhawk chooses to head off for the uncertain opportunities represented by a glow on the horizon. The cause of the glow is not named here, but subsequent chapters will show that her decision was to make for the spaceport and thence offworld.

(We still don’t know which city this is that the spaceport is attached to, by the way, unless this Maidenstairs is the same Maidenstairs as in “Moon’s Honor”, in which case this is Dyan City again. I’m not sure that’s a solid clue — for all we know, every Temple might have an area in front of it called Maidenstairs — but it seems plausible, since the two earlier Moonhawks were both from Dyan City as well.)


Tomorrow: “Fighting Chance”

Moonphase

In which Priscilla Mendoza is cast out.

There’s a lot more in this story than I noticed the first time I read it, and much of it I’m not sure I have a solid grip on yet.

One thing I do feel confident saying is that the arc of the Moonhawk and Lute stories, from “Where the Goddess Sends” to here (and beyond, to the extent that Moonhawk and the Goddess continue to be mentioned) is a lot clearer to me after this re-read, and particularly with the addition of “Moon’s Honor”, which did a lot to clarify which details are recurring themes.

The tendency Moonhawk talks to Priscilla about in this story, of the Circle’s purpose being waylaid by the greed of power and personal importance, is one of those recurring themes. The impression I get is that Lute and Moonhawk have been acting as a counter to that tendency; one thing Moonhawk’s travels with Lute achieve, in both versions we’ve seen, is to remind her to think about the Temple’s role and its effects on the other people of the world (with the result, not shown but implied by Moonhawk’s nature, that having realised the Temple is out of line she’ll do what she can to put things right).

So it’s worrying that Moonhawk says here that the Circle having been keeping her apart from Lute, and keeping her in check by limiting the tools she has to work with. That means the power-hungry have had centuries to get hungrier and less thoughtful, and to bend the workings of the Temple toward their purposes. (I wonder who first starting restricting Moonhawk’s actions, and how much they understood of what they were doing.)

(A second thing I wonder about is the Names. It’s mentioned that there are fourteen living Names, which is the same number of Names who bound themselves to the Goddess’ path in Crystal Dragon — except that one of those was Lute, so they can’t be exactly the same fourteen. And the two Names Priscilla calls out during the climactic confrontation are modern-sounding names, not like “Moonhawk” or “Oatflower”. Added to something that was mentioned in “A Matter of Dreams”, the impression I get is that these days there are more than fourteen Names being reincarnated in the service of the Goddess, with perhaps a restriction that only fourteen may be incarnated at any one time. And that makes me wonder if there’s any deck-stacking going on, so that the Names who might want to resist the Temple’s slide from grace are being edged out by Names who support it.)

One of the later novels indicates that there is a Lute to go with this Moonhawk, who would be at this time still a halfling boy only a couple of years older than Priscilla. No wonder Moonhawk warns Priscilla that he can’t yet stand against the Circle directly. (A third thing I wonder is whether that means he will stand against the Circle some day. I can’t imagine Moonhawk and Lute letting them go on getting away with this forever.)


Tomorrow, we round off the tale of Priscilla’s departure with the Prologue to Conflict of Honors. If you’re not wanting to split things up, you can skip it until next week when we return and do the rest of Conflict of Honors, and we’ll see you in a couple of days.

A Matter of Dreams

In which a pilot dreams of Moonhawk.

After the thought I had (and expressed rather incoherently, I fear) yesterday, about the magics of this setting perhaps having technological underpinnings, it’s interesting to follow up immediately with a story in which (I hadn’t remembered) the macguffin is part of the technological underpinning of the witches of Sintia.

It’s been a long time since we’ve seen Sintia, and Moonhawk. Some things have changed: Sintia is now a technological society with its own spaceport and trade with other planets. (Fiona, our narrator, neglects to name the city that hosts the spaceport, presumably because as a Spacer she’s not much interested in local geography.) Some things are not as much changed as one might like: the representatives of the Temple are still, or again, having the same problem with their priorities that Lute called out Lady Rowan on in “Moon’s Honor”. The thing that they consider most important about the theft from the Temple is not the harm that might have been done, but the affront to the Temple’s self-importance.

There’s no Lute to call them out on it, however; this Moonhawk is still young, and does not appear to have met her Lute yet.

Nobody says it out loud — it would probably have been distinctly unwise to say it out loud — but I reckon that Cly Nelbern’s desire for an escort is less about physical protection than about entangling the pilots so that if she goes down, they go down too. And I reckon that Fiona has realised the same thing by the time she asks if Nelbern will be wanting an escort again to her second meeting.

The story is marked with the year 1375; on internal evidence, this has to be the year in which the main events of the story occurred, not the years-later time at which the narrator is telling the story. Fair enough, since that’s the same logic on which I’ve placed the story here in the chronological order.


Tomorrow: “Moonphase”