Tag Archives: Waterway Park

Skyblaze

In which Vertu dea’San decides that somebody ought to do something.

This story is, among other things, a valuable reminder that while Korval were happy enough to be thrown off Liad for their part in the Battle of Solcintra, there are others served similarly for whom it might not be so pleasant.

Reading a story featuring “galan’ranubiet” (Treasure of the House) and “galandaria” (compatriot), I find myself wondering after the meaning of “yos’Galan”.

I said a few days ago I was going to have something more to say about taxis. The bulk of this story takes place at a time when there’s only one licensed taxi driver in Surebleak Port City, and even at the end of the story the number has only grown to three, with some consideration being given to a fourth. That sets it before the climactic sequence of Necessity’s Child, which contains at least three active taxis and likely more.

(So why have I scheduled it after? We’ll come back to that.)

Now let us consider the other major indicator of when it’s set: the passing of the seasons. The main section of the story takes place in local winter, at some point after Korval came to settle on Surebleak, with the last section taking place early in the following spring. That’s straightforward enough.

Now we have two choices:

Ghost Ship tells us that Korval settled on Surebleak before winter turned to spring, that Theo’s visit occurred during late spring (this point is made on multiple occasions), and that the event which kicks off the plot of Necessity’s Child occurred a few weeks before the onset of summer. This seems to fit: Vertu arrives during Korval’s first winter, joins Jemie in the taxi business, and they spend the spring building up the business to a point that will account for the flock of taxis bringing people to the new school when it opens in early summer. The bit near the end of this story, with Vertu and Jemie in early spring considering diversifying into the ground-courier business, meshes nicely with Jemie’s cameo in Ghost Ship, in late spring, delivering a courier message.

However. Necessity’s Child itself claims to begin in late winter, which would put the school opening in early spring, and allow little if any time for the building of the taxi fleet.

After due consideration, I have decided I prefer the timeline suggested by Ghost Ship, and not just because it’s more insistent about it. (Ghost Ship, as I said, mentions the season repeatedly, while the beginning of Necessity’s Child does so only once – and, for that matter, the school opening scene has a mention of how warm the day is, which might be taken to mean that even the end of Necessity’s Child disagrees with the beginning about what time of year it is.)

There are still a couple of more short stories and a novel set on Surebleak which I haven’t read yet because they all came out after I began the re-read; I’ll be interested to see when they claim to be set.

(When I was scheduling the re-read, the one detail I remembered from all this confusion was that Ghost Ship was set in spring, but I forgot that it said Korval had been there since winter, so I thought Vertu’s first winter on Surebleak must be after both Ghost Ship and Necessity’s Child, and scheduled “Skyblaze” accordingly. If I were doing it now, I would definitely put “Skyblaze” before Necessity’s Child.)


Tomorrow: “Roving Gambler”, one of those stories set on Surebleak that I haven’t read yet.

I Dare – Chapter 55

Solcintra
Liad

In which the Captain acts for the safety of the passengers.

The mode of Ultimate Authority, which is referred to twice in this chapter, has, perhaps unsurprisingly, not come up much before: three times in the series up to this point. Priscilla adopts it briefly when putting Sav Rid Olanek in his place at the end of Conflict of Honors; Commander of Agents is said in Carpe Diem to use it when dealing with his underlings; and Val Con, greeting the Tree in Plan B, places the Tree in the position of ultimate authority.

The fact that it’s used twice in this chapter, and by whom, is the central conflict in a nutshell: the first is Commander of Agents again, and the second is Miri when she takes on the melant’i of Liad’s Captain. And I think it says something that, whereas Miri adopts the mode temporarily and in a situation where she is in fact the duly-appointed ultimate authority until the emergency is resolved, the Commander is not only self-appointed but apparently expects to be regarded as the ultimate authority all the time.

There’s a leap near the end of the chapter that I’ve never been able to follow. After the doomsday weapons are activated, ter’Fendil says he can deactivate them if Val Con gives him the control device, and Val Con does. Then it cuts to another scene, and when it cuts back everybody’s running for their lives and talking about the urgent need to do something before the weapons break out and start killing everybody. Is there something missing, or is it just me missing something?