Tag Archives: Captain’s Justice

I Dare – Chapter 57

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Day 59
Standard Year 1393

Solcintra
Liad

In which the Council of Clans throws Korval into the briar patch.

The Delm Hedrede who delivers the Council’s judgment here is not the same Delm Hedrede who clashed with Korval thirty years ago in Scout’s Progress – different pronouns – but it does make me wonder if Hedrede has a personal investment in Korval getting booted off the planet.

There’s a neat bit of narrative sleight of hand with the problem of what to do with the dies: the problem is carefully laid out, then just as Val Con is about to suggest a solution, the conversation is interrupted. The reader is left to assume that a solution is found without the authors having to actually come up with one.

Tomorrow and tomorrow: Revisiting old friends and seeing how they’re affected by recent events, in “Misfits” and then the remainder of Saltation.

I Dare – Chapter 55

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Solcintra
Liad

In which the Captain acts for the safety of the passengers.

The mode of Ultimate Authority, which is referred to twice in this chapter, has, perhaps unsurprisingly, not come up much before: three times in the series up to this point. Priscilla adopts it briefly when putting Sav Rid Olanek in his place at the end of Conflict of Honors; Commander of Agents is said in Carpe Diem to use it when dealing with his underlings; and Val Con, greeting the Tree in Plan B, places the Tree in the position of ultimate authority.

The fact that it’s used twice in this chapter, and by whom, is the central conflict in a nutshell: the first is Commander of Agents again, and the second is Miri when she takes on the melant’i of Liad’s Captain. And I think it says something that, whereas Miri adopts the mode temporarily and in a situation where she is in fact the duly-appointed ultimate authority until the emergency is resolved, the Commander is not only self-appointed but apparently expects to be regarded as the ultimate authority all the time.

There’s a leap near the end of the chapter that I’ve never been able to follow. After the doomsday weapons are activated, ter’Fendil says he can deactivate them if Val Con gives him the control device, and Val Con does. Then it cuts to another scene, and when it cuts back everybody’s running for their lives and talking about the urgent need to do something before the weapons break out and start killing everybody. Is there something missing, or is it just me missing something?

Scout’s Progress – Chapter 18

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In which Aelliana and her co-pilot begin their day.

Aelliana continues to show outward signs of her growing inner confidence. By the end of this chapter, she’s not only wearing her hair back, she feels safe enough with Daav to leave off the habitual overgarment that is described with the very word “armor”.

The Scouts’ tendency to want to feed Aelliana may have something to do with the fact that when they do, those are the only times in the book we’ve seen her eat anything at all. When she is shown taking meals with her family, she’s always too stressed to eat.

Crystal Dragon – Chapter 28

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Solcintra

In which certain negotiations take place.

The two Solcintran negotiators both have names that recur in the Liaden Universe – which is perhaps only to be expected. Some of Nalli Olanek’s descendants will find themselves in dispute with some of Tor An’s descendants in Conflict of Honors, and Clan Hedrede is mentioned a couple of times in Scout’s Progress and Mouse and Dragon, with a Dath jo’Bern of that clan being an incidental character in the latter. (With thanks to the Liaden Wiki – my memory for obscure details is not that good.)

The Enemy have taken out High Command in its withdrawn and reinforced position, without having to pass through any of the intervening space, which just shows how much good that did.

We see the origin of Cantra’s logbook, which will become a tradition upheld by her successors; that answers something I’d been wondering aloud a while back.

Another thing I’d been wondering, though it never quite got to aloud, was about Moonhawk and Lute’s colleagues in the Great Weaving. It’s pretty obvious that Moonhawk is the same Moonhawk who is Priscilla’s guiding spirit when she’s a priestess of the Goddess, and seems clear therefore that the other guiding spirits from Priscilla’s religion are this Moonhawk’s sisters in the Great Weaving (I don’t recall that any of their names are ever given, in either context). What I’d been wondering was whether, since they’re presumably all a dramliza pairing like Moonhawk and Lute, all the guiding spirits have masculine sidekicks like Lute and it was just that somehow we’d never heard about them. The scene in this chapter where Lute learns that Moonhawk has made an independent space for him in the Weaving suggests that no, it’s just Lute.

(I think where I went wrong was at “dramliza pairing like Moonhawk and Lute”; there’s probably no other dramliza pairing that’s quite like Moonhawk and Lute. One of the other things I’ve been realising on this re-read is that my understanding of the dramliz from the first time through had been weighted too much toward taking Rool Tiazan and Lute as typical of their station, when as two of the few – or even, for all it’s said, the only two – free zaliata to have accepted the yoke, they’re each blazingly unique.)