Tag Archives: omnichora

Carpe Diem – Chapter 62

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In which Tyl Von sig’Alda makes an approach.

sig’Alda is demonstrating a very closed-minded attitude here: instead of paying attention to new information and adjusting his theories and plans, he’s holding on to his theories and plans and taking in only what information fits what he already believes he knows. Some of it’s definitely indoctrination, like the way he shies away from the possibility that Val Con might be consciously and happily free of the Department’s influence, and some of it is… probably at least partly due to indoctrination, like the way he dismisses everything any Terran does as an irrelevant distraction. But I’m not sure that explains the way he seems to have accepted certain things as facts when they were only ever presented as plausible theories, like Miri’s supposed drug addiction.

One way and another, his inability or disinclination to accept new information is going to come back and bite him sooner or later, when reality fails to match the contents of his head. The question is how much damage he’s going to do before then, trying to impose the contents of his head on reality.

Carpe Diem – Chapter 27

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Vandar
Springbreeze Farm

In which Val Con paints portraits in piano music.

Miri is right: Val Con is trying to hide parts of himself from her. We have that not only in this chapter, when he declines to attempt more than the most cursory musical sketch of himself, but in the previous chapter, when his joy at being able to hear her life-song was mixed with hope that she would not be able to hear his. Given the life he was leading before he met Miri, it’s understandable that he might be reluctant to expose her to the details, but it strikes me that lack of communication is not wise in a long-term committed relationship. Even if he doesn’t want to reveal details, it might help to be honest about the fact that he is keeping something hidden, and about why. It may even be that, having been acquainted with the problem, Miri may be able to help him with it, the way he helped her when she was afraid of how he might react to knowing the real her. It’s a thing partners and lifemates do.

When I first read the Liaden novels, I had to stop in the middle of this chapter for several weeks, because my copy of Partners in Necessity had a binding error and contained a repeat of pages 609-656 where pages 657-704 should have been. (When I reported the error to Meisha Merlin, they very kindly sent me a new copy without charge, for which I’m still grateful.) If you happen to know of anyone who owns the copy with the inverse problem, get in touch — maybe we’ll be able to find an eccentric collector who’ll buy the pair of them as a matched set…

Carpe Diem – Chapter 10

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Orbit
Interdicted World I-2796-893-44

In which Miri and Val Con make landfall.

The “Dictionary of Phrase and Fable” Miri recalls is likely to be a descendant of the one published in the 19th century by E. Cobham Brewer, which has been a friend to many an author since. The 1896 edition, the last on which Brewer himself worked, is available online: here is the front page and here is the entry on “carpe diem”.

Although some details will be forthcoming later, we never have got the full story of how Val Con came to converse with an Yxtrang, though the authors have made a number of attempts at setting it out. On Splinter Universe, the website where the authors talk about paths not taken and stories never completed, there’s a post about that, but the link might be better saved for the next time the topic arises.

Agent of Change – Chapter 24

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In which the Juntavas let Miri and Val Con go.

A nicely unobtrusive example of virtue being its own reward: if Miri hadn’t thought about notifying the dead stranger’s family, she wouldn’t have found the coord page before it was spaced, and they’d have been in a heap of trouble.

Well. Not that they’re not in a heap of trouble as it is, with an Yxtrang ship bearing down on them, but you know what I mean.

Agent of Change – Chapter 21

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In which Miri and Val Con discuss marriage.

I raise my eyebrow at Val Con’s assertion that who he marries is his choice and not the choice of the Clan. From what we’ve seen in the prequels, I think the Clan would have something to say about that, particularly since what he’s proposing is a lifemating that would deprive the Clan of any possible future use it might get from his marriage prospects. As Delm, of course, he would have the ultimate say. But he’s not Delm yet — and if he holds to the intention he goes on to suggest, to steer clear of Liad and Korval in future, he’s never going to be. (Then again, if he steers clear of Liad and Korval in future, he’ll be depriving the Clan of the use of his marriage prospects whether he marries Miri or not.)

It’s a sign of the new balance Val Con has worked out for himself that he’s comfortable again identifying himself as “Scout Commander”. He’s probably doing it at least partly to reassure whoever might be on the distressed ship, but I don’t think that would be sufficient impetus for him to do it if he were still in the spy-not-a-Scout headspace he was in before.

Agent of Change – Chapter 20

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In which Agent of Change Val Con yos’Phelium meets his death.

Hmm. The glossary in the back of Pilot’s Choice is quite explicit that “Entranzia volecta” is High Liaden, with the Low equivalent being “Tra’sia volecta”. Then again, Miri says she understood that bit, so maybe her complaint about Val Con springing Low Liaden on her applies only to the “cha’trez”, which is definitely Low Liaden. That just leaves the question of whether it’s likely that Val Con would mix High and Low Liaden in a single three-word sentence.

On a less confusing note of drawing-information-from-other-stories: Given what we know from the prequels about Liaden customs, the non-verbal components of Val Con’s leave-taking say a lot about his regard for Miri and his hopes for the future, though Miri herself is no more able to translate than she is able to translate the murmured comment that precedes them. (I wonder whether Val Con would have done the same if Miri did possess the knowledge to interpret, or if he only allows himself to make the declaration because it won’t be understood.)

Agent of Change – Chapter 18

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In which several people are given things to think on.

Miri and Val Con are clear of Lufkit, but they’re not clear of trouble yet. Justin Hostro is sending people after them —

— I find myself wondering how he was able to discover their destination, when so far the name of Volmer has been spoken only in the hearing of Turtles. Perhaps Watcher mentioned it while he was in Xavier Ing’s custody, though that seems unlikely; a more plausible possibility is that the process of setting the ship for the journey included filing a destination with local traffic control —

— and near the end of the chapter we’re introduced to a new group of people, who act as a reminder that there are other dangers in the wide universe, which Miri and Val Con might now be heading toward.

Agent of Change – Chapter 17

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In which Miri and Val Con discuss weapons.

At first it seemed like a quick turnaround that, less than a day after Miri tried to ditch the madman, it’s her reassuring him that he’s not a danger to her. But there was that demonstration, after she tried to ditch him, of how much importance he places on her survival, and even before that it wasn’t really what she was concerned about. Even when she admitted to being afraid, she made the point that it wasn’t Val Con himself she was afraid of. And I think, on reflection, that when she was bothered by his first demonstration of the Loop’s capabilities, what bothered her wasn’t just the apparent calmness with which he was able to discuss her death, but the calmness with which he was able to discuss his own.

On an entirely different note, I find myself wondering whether Professor Thos. Swift, author of the Young Person’s Book of Space Drives, was a member of the same faculty as the originator of the Antonio Smith Method.

Agent of Change – Chapter 16

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In which Miri and Val Con discover the fruits of the ship’s labors.

Among the things I keep thinking about, re-reading this novel, are the fact that it was the first to be written and published and the consequence that there are things in it which read differently with knowledge of the rest of the series.

For a small example, there’s the “obscure sense” that tells Miri without looking that Val Con has returned, which one might connect with Aelliana’s ability to tell without looking when Daav entered the room, and what that developed into.

Possibly a more significant example is Val Con’s explanation of the roles of First and Second Speaker, which — though it does clarify some of the questions we had about the succession back around “A Day at the Races” — completely fails to mention that there are such things as delms, or who might fill that role for Korval.

Agent of Change – Chapter 11

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In which Miri and Val Con come to the attention of the authorities.

Bringing Miri breakfast through a locked door, disconcerting as it understandably is for her, is I think basically a friendly gesture on Val Con’s part, and not just for the breakfast itself. The implicit message, that a locked door isn’t enough to keep him out, might be read as threatening, but he doesn’t need or want to threaten her at this point; if he meant her harm, he’d have done better to let her going on thinking that a locked door would keep her safe right up until it was time to prove her definitively wrong. As it is, it’s less a threat than a warning: he’s showing her what he can do, even though it means giving up a tactical advantage, because it’s something she needs to understand if they’re going to work together.

The mention of the Belansiums on Justin Hostro’s walls clears up a small mystery. The painter Belansium is featured in the short story “Phoenix”, set about a century before this; by the time I first read that story, I’d forgotten about the paintings in this chapter, so I’ve been wondering on and off since then how Bel first came to the attention of the authors. Now I know.

(Incidentally, it’s a nice bit of foreshadowing that Miri compares Justin Hostro’s interior decoration to Sire Baldwin’s.)